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    <loc>https://www.shivcitron.com/blog-forte</loc>
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    <loc>https://www.shivcitron.com/blog-forte/2016/2/22/alveolar-glottis-8x5ls</loc>
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    <lastmod>2016-02-22</lastmod>
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      <image:title>Blog - Alveolar Glottis</image:title>
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    <loc>https://www.shivcitron.com/blog-forte/2016/2/22/plosive-morphological-syntax-6s23w</loc>
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    <lastmod>2016-02-22</lastmod>
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    <loc>https://www.shivcitron.com/blog-forte/2016/2/22/frication-2kl74</loc>
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    <lastmod>2016-02-22</lastmod>
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      <image:title>Blog - Frication</image:title>
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    <loc>https://www.shivcitron.com/blog-forte/2016/2/22/velar-aspirations-acp3n</loc>
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    <lastmod>2016-02-22</lastmod>
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      <image:title>Blog - Velar Aspirations</image:title>
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      <image:title>Blog - Velar Aspirations</image:title>
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    <loc>https://www.shivcitron.com/projects-forte</loc>
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    <lastmod>2025-05-08</lastmod>
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      <image:title>Projects</image:title>
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      <image:title>Projects</image:title>
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    <image:image>
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      <image:title>Projects</image:title>
      <image:caption>Description text</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a9e4c06c3c16a5d21223bb3/1522914757901-5J5QG823N855C2DYG0U8/Girl-in-a-House%2C-Performance-for-camera+1.jpg</image:loc>
      <image:title>Projects - Girl In A House</image:title>
      <image:caption>Performance for camera Series of video stills   "My landlord wanted us to vacate our heritage studio in Badem, Goa as he wanted to construct a small building (for tourism). On being asked to leave, I wanted to  ritualise, document and carry the 90 year old house I had been contained in, literally on my back,  like the hermit crabs on the beach,” Observing my surroundings and futuristic visions of utopic urban disaster, in 2018 I do feel lured to a sense of place, a home. I am curious about the panoramic view of bamboo groves outside my window and how the view will transform through the seasons.  Girl in a house explores my search and revolt for a home, carrying the home within me, nurturing and protecting my physical House and the environment  that I now inhabit.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a9e4c06c3c16a5d21223bb3/1522912992460-ABARNK5KQY4AYQIE5A10/Anja-Ibsch-2.jpg</image:loc>
      <image:title>Projects - The Ground Beneath My Feet</image:title>
      <image:caption>Situated on a barge docked at Captain of Ports Jetty on the Mandovi River in Goa, the exhibition explores the rapidly transforming relationship between human bodies, their natural environments, and technological infrastructures.  This series  images are the residue of the performances that I documented over a period of one week. The performance artworks in the exhibition are unique pieces that each of the eight artists have composed. The Ground Beneath My Feet is part of After Event: Performance Art and its Mediations, a collaboration between Serendipity Arts Trust, HH Art Spaces, and Asia Art Archive in India.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a9e4c06c3c16a5d21223bb3/1520326404132-DP0DRUTKDQKUCSI87PSA/Chapter+1-1.jpg</image:loc>
      <image:title>Projects - Thread Whispers</image:title>
      <image:caption>Chapter 1: Of Rock and Apricot and Mountaintop is the residue of a collaborative storytelling project between rural communities in India and two urban artists – the photographer and dancer Shivani Gupta and writer and folk musician Corinne Elysse Adams. Chronicling the people of Dha and Hanu villages, small settlements high in the Himalayan mountains of Ladakh, Shivani Gupta and Corinne Adams encouraged the local people to share their ancient and present folklore. Ladakh is a region rich in storytelling, and many people remember sitting huddled around the stove on long, cold winter evenings intently listening to master storytellers regale them night after night. Participating in similar processes, the artists collected tales animated by witches, elusive love, and mountains with souls. Reaching beyond the spoken word, Adams and Gupta engaged in theatrical performances of the collected stories, working with the narrators themselves to take on the roles of the protagonists in these mythical tales. Adorning themselves in traditional robes along with fantastical creations made using found objects, from plastic waste to flowers, the storytellers are seen playing out the characters from their stories, using their own landscape as a stage. In this series, Gupta contemplates how traditional communities explore their history and translates this visually into her work, which is rooted firmly in the present.  Thread Whispers investigates how we weave together the shreds of memory, historical fact, and imaginative reconstruction in pursuit of a fantastical realism amongst the ordinary.</image:caption>
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    <loc>https://www.shivcitron.com/about</loc>
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    <lastmod>2018-04-05</lastmod>
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      <image:title>About</image:title>
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    <lastmod>2018-04-19</lastmod>
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    <loc>https://www.shivcitron.com/read-me-forte</loc>
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    <lastmod>2025-05-08</lastmod>
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